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demonicmiracle) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
logsville2021-01-13 10:51 pm
demonicmiracle) wrote in logsville2021-01-13 10:51 pm
(open) to feel anything deranges you
Who: Crowley & you, perhaps??
When: First half of January
Where: Around town
What: Hanging about town, feel free to run into him wherever!! Prompt 2 is less for immediate interaction but I'm cool with anyone saying they've seen his "serial". Alternatively: HMU if you'd something specific I'M BAD AT OPEN POSTS
Warnings: Alcohol in the first prompt. Torture in the second prompt
a) day-to-day routine; open
[Before the Antichrist, back on Earth, Crowley's routines were often defined in years, decades, rather than in days. It was defined by assignments, by travel, by the occasional evening spent with Aziraphale for every half dozen years that passed. Moving in to the Dowling's residence to raise Warlock had changed that, routine became dressing the boy, feeding him, playing with him outside of his lessons, popping him into a bath at night and then reading him stories before bed. The evenings had been reserved for Aziraphale, when Crowley could sneak out to the little gardener's cottage, where wine and company would be waiting.
In Santa Rosita, the routine has shifted again.
Made woefully human and aware of the dangers present in town, he's taken up new habits. Running being one of them, as loathe as he is to do it. He often goes in the morning, hair tied back in a bun, hating every moment of it even as his stamina improves. On the days he sleeps in accidentally, or is distracted in the mornings, he ends up going once he's home from work, sticking to the sidewalk and nature strip to avoid running afoul of any cars, when it's dark.
The rest of the work week is relatively simple. He stops for coffee on the way to work, and while he often nips home on his lunch break to eat with Aziraphale, sometimes he'll grab something at a nearby diner or café, stopping by a park to toss crumbs to the pigeons, or taking up a spot at a diner counter. Throughout the week, he visits the butcher or the grocer, picking up supplies for the week, mulling over whether Aziraphale would prefer pork chops or steak. They've got better at cooking, the both of them, the simple act of taking care of bodies that were suddenly too human, too fragile, that need so much upkeep.
There's the occasional deviation from the routine. As wonderfully domestic as it is, living with Aziraphale, sometimes it gets a bit too much. It's too nice, not the type of thing a demon should be allowed to have. Those are the evenings he finds his way to a bar, nursing a drink and getting lost in his thoughts. If he spots anyone he recognizes, someone who isn't local to the town, he'll offer a little wave or nod in greeting. He's not opposed to company, he just needed to get out of the house.]
b) Science Fiction Double Feature; CW Torture, mostly vaguely described but it's Hell, y'all. They aren't nice!!!
[It had seemed like a safe enough idea; go to the drive-in, catch a movie with Aziraphale, eat terrible junk food. And he always loves a good spooky movie, even when apparently living one.
He isn't expecting to see himself on the screen.
Immediately, he knows what memory is being played out. He wore that particular style of tunic for a long time, but the fact he's sitting on a cramped chair in a dimly lit room, fingers twisting anxiously around the fabric of his belt, tells him everything he needs to know.
Crawly. Come. The voice is deep and rich, seeming to emanate from all sides. On the screen, Crawly gets to his feet quickly, eager to get this over and done with, walking through the open door at the end of the room with his head respectfully bowed.
Inside the room, it's all darkness and fire, and Crawly looks uncomfortable, in pain and trying to hide it. There's a roar from somewhere in the room, and he falls to his knees as if pulled down, fingers scrabbling at the cold stone beneath him as he forces himself not to make a sound.
You failed. It was a simple job, Crawly. I expected better from you.
The version of himself on the screen turns as if looking to the camera and winks, yellow eyes fully on display. He started wearing glasses, once he got back on Earth, but he'd relied on the veil when necessary, until then. Crawly opens his mouth as if to speak, but another roar cuts him off and he simply bows his head in supplication and pain, nearly on all fours on the floor.
The Dukes Hastur and Ligur will be responsible for punishing you. And then it's five years in a pit.
No one needs to come drag him away. Crawly staggers to his feet, gathers his tunic up so he doesn't trip on it as he returns out to the hall, where two men are waiting. They're dressed in tattered robes, one with white hair and a toad atop his head, the other dark skinned with a chameleon plastered to the side of his face.
The way they smile at Crawly is a threat. They grab him roughly by the shoulders, bind his wrists and drag him to the wall, where he's pinned against it, arms strung up above him. The look on his face is the look of someone determined not to show a single flicker of emotion, even when the first knife plunges into his arm.
He's lost track of the times he's been tortured, but he remembers this being one of the worst, because after the knives and fists and hot brands burned into his skin. After Ligur has taken a few fingers and Hastur has cut out his tongue, a third person enters the room, wearing thick leather gloves and carrying a single, large metal nail. The sort of thing used in construction.
Do you know what this is, Crawly? Ligur, the dark skinned man, asks.
Crawly spits blood at him, because it's expected, because he can, because it doesn't matter that Hastur punches him in the stomach in retaliation.
I wonder what it'll do to you. It's got his blood all over it.
Hastur pulls on a pair of his own leather gloves, takes the nail and drags it along the exposed skin of Crawly's bicep. Smoke hisses up from his skin and he makes a sound for the first time, a pained whimper as he tries to pull away from it, his attempts useless with how tightly he's bound. The Dukes laugh, even as Ligur is moving beside Crawly, grabbing a fistful of his long hair, using it to yank his head back despite his struggles.
Ligur lines the nail up against the soft hollow of Crawly's throat, and the screen goes black with the sound of his ragged, wet scream.]
"Tune in next week for the thrilling second part!"
/end content warnings
c) [insert Hozier reference here]
[In the wake of everything, his wings returning, being with Aziraphale, the awful display at the movie theater, Crowley finds himself going for a walk on a Saturday afternoon, his feet carrying him towards the nearest church without any input from his brain. It's not his first time coming here, but that had been a quick visit, testing a theory about his current predicament and consecrated ground.
That isn't why he's here, now.
The church is quiet, any stragglers from the morning service seem to have filed home, and if there's a minister, he isn't around right now.
Uncomfortable is the most appropriate way to describe how Crowley feels, walking between the pews. It had been different rescuing Aziraphale from the Nazis, he'd had a purpose then, was all flash and distraction until the bombs fell. This time, he's alone, here for a reason he can't quite name, searching for something he isn't certain he wants to find.
He sits somewhere in the middle, hesitant to stray too far from the exit. He doesn't kneel, doesn't clasp his hands together, doesn't bow his head. It's tipped back, instead, staring up at the ceiling and to the sky past that.
At least until he hears the door open and footsteps at the entrance, at which point he hastily gets to his feet, planning to slip out and pretend he was never here at all.]
When: First half of January
Where: Around town
What: Hanging about town, feel free to run into him wherever!! Prompt 2 is less for immediate interaction but I'm cool with anyone saying they've seen his "serial". Alternatively: HMU if you'd something specific I'M BAD AT OPEN POSTS
Warnings: Alcohol in the first prompt. Torture in the second prompt
a) day-to-day routine; open
[Before the Antichrist, back on Earth, Crowley's routines were often defined in years, decades, rather than in days. It was defined by assignments, by travel, by the occasional evening spent with Aziraphale for every half dozen years that passed. Moving in to the Dowling's residence to raise Warlock had changed that, routine became dressing the boy, feeding him, playing with him outside of his lessons, popping him into a bath at night and then reading him stories before bed. The evenings had been reserved for Aziraphale, when Crowley could sneak out to the little gardener's cottage, where wine and company would be waiting.
In Santa Rosita, the routine has shifted again.
Made woefully human and aware of the dangers present in town, he's taken up new habits. Running being one of them, as loathe as he is to do it. He often goes in the morning, hair tied back in a bun, hating every moment of it even as his stamina improves. On the days he sleeps in accidentally, or is distracted in the mornings, he ends up going once he's home from work, sticking to the sidewalk and nature strip to avoid running afoul of any cars, when it's dark.
The rest of the work week is relatively simple. He stops for coffee on the way to work, and while he often nips home on his lunch break to eat with Aziraphale, sometimes he'll grab something at a nearby diner or café, stopping by a park to toss crumbs to the pigeons, or taking up a spot at a diner counter. Throughout the week, he visits the butcher or the grocer, picking up supplies for the week, mulling over whether Aziraphale would prefer pork chops or steak. They've got better at cooking, the both of them, the simple act of taking care of bodies that were suddenly too human, too fragile, that need so much upkeep.
There's the occasional deviation from the routine. As wonderfully domestic as it is, living with Aziraphale, sometimes it gets a bit too much. It's too nice, not the type of thing a demon should be allowed to have. Those are the evenings he finds his way to a bar, nursing a drink and getting lost in his thoughts. If he spots anyone he recognizes, someone who isn't local to the town, he'll offer a little wave or nod in greeting. He's not opposed to company, he just needed to get out of the house.]
b) Science Fiction Double Feature; CW Torture, mostly vaguely described but it's Hell, y'all. They aren't nice!!!
[It had seemed like a safe enough idea; go to the drive-in, catch a movie with Aziraphale, eat terrible junk food. And he always loves a good spooky movie, even when apparently living one.
He isn't expecting to see himself on the screen.
Immediately, he knows what memory is being played out. He wore that particular style of tunic for a long time, but the fact he's sitting on a cramped chair in a dimly lit room, fingers twisting anxiously around the fabric of his belt, tells him everything he needs to know.
Crawly. Come. The voice is deep and rich, seeming to emanate from all sides. On the screen, Crawly gets to his feet quickly, eager to get this over and done with, walking through the open door at the end of the room with his head respectfully bowed.
Inside the room, it's all darkness and fire, and Crawly looks uncomfortable, in pain and trying to hide it. There's a roar from somewhere in the room, and he falls to his knees as if pulled down, fingers scrabbling at the cold stone beneath him as he forces himself not to make a sound.
You failed. It was a simple job, Crawly. I expected better from you.
The version of himself on the screen turns as if looking to the camera and winks, yellow eyes fully on display. He started wearing glasses, once he got back on Earth, but he'd relied on the veil when necessary, until then. Crawly opens his mouth as if to speak, but another roar cuts him off and he simply bows his head in supplication and pain, nearly on all fours on the floor.
The Dukes Hastur and Ligur will be responsible for punishing you. And then it's five years in a pit.
No one needs to come drag him away. Crawly staggers to his feet, gathers his tunic up so he doesn't trip on it as he returns out to the hall, where two men are waiting. They're dressed in tattered robes, one with white hair and a toad atop his head, the other dark skinned with a chameleon plastered to the side of his face.
The way they smile at Crawly is a threat. They grab him roughly by the shoulders, bind his wrists and drag him to the wall, where he's pinned against it, arms strung up above him. The look on his face is the look of someone determined not to show a single flicker of emotion, even when the first knife plunges into his arm.
He's lost track of the times he's been tortured, but he remembers this being one of the worst, because after the knives and fists and hot brands burned into his skin. After Ligur has taken a few fingers and Hastur has cut out his tongue, a third person enters the room, wearing thick leather gloves and carrying a single, large metal nail. The sort of thing used in construction.
Do you know what this is, Crawly? Ligur, the dark skinned man, asks.
Crawly spits blood at him, because it's expected, because he can, because it doesn't matter that Hastur punches him in the stomach in retaliation.
I wonder what it'll do to you. It's got his blood all over it.
Hastur pulls on a pair of his own leather gloves, takes the nail and drags it along the exposed skin of Crawly's bicep. Smoke hisses up from his skin and he makes a sound for the first time, a pained whimper as he tries to pull away from it, his attempts useless with how tightly he's bound. The Dukes laugh, even as Ligur is moving beside Crawly, grabbing a fistful of his long hair, using it to yank his head back despite his struggles.
Ligur lines the nail up against the soft hollow of Crawly's throat, and the screen goes black with the sound of his ragged, wet scream.]
"Tune in next week for the thrilling second part!"
/end content warnings
c) [insert Hozier reference here]
[In the wake of everything, his wings returning, being with Aziraphale, the awful display at the movie theater, Crowley finds himself going for a walk on a Saturday afternoon, his feet carrying him towards the nearest church without any input from his brain. It's not his first time coming here, but that had been a quick visit, testing a theory about his current predicament and consecrated ground.
That isn't why he's here, now.
The church is quiet, any stragglers from the morning service seem to have filed home, and if there's a minister, he isn't around right now.
Uncomfortable is the most appropriate way to describe how Crowley feels, walking between the pews. It had been different rescuing Aziraphale from the Nazis, he'd had a purpose then, was all flash and distraction until the bombs fell. This time, he's alone, here for a reason he can't quite name, searching for something he isn't certain he wants to find.
He sits somewhere in the middle, hesitant to stray too far from the exit. He doesn't kneel, doesn't clasp his hands together, doesn't bow his head. It's tipped back, instead, staring up at the ceiling and to the sky past that.
At least until he hears the door open and footsteps at the entrance, at which point he hastily gets to his feet, planning to slip out and pretend he was never here at all.]
cw cannibalism, sort of??
Sure, whatever, we can check the projection booth, but I'm real curious about how you explain what you saw. Hastur cut out and ate my damn tongue, that doesn't get better.
[Not for humans.
Also: Hastur is gross.]
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[.......yeah, so he doesn't actually think he's the sane one here, though he does kind of want to know what it was that finally made him crack. taking the new york subway? that'd do it, probably.]
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Are we talking about me or you here?
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Best to focus him on a task.]
C'mon, let's go kill a projectionist, bet they had something to do with this shit.
[They won't actually kill the projectionist. Hopefully.]
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Well... yeah. Or slap him around until he tells us where the reels came from.
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[He isn't necessarily a violent creature, but there's something to be said for revenge.
Although knowing this place, the projectionist likely had nothing to do with it, and knows nothing about the how or why.]
Oh, I — probably ought to tell Avery where I'm off to, he'll fuss if I disappear on him.
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[not that the other ones were necessarily his fault... it's complicated.
archer looks back at crowley, arching an eyebrow. casually:] Oh, yes, the [he puts on a shitty impression of azi's accent:] Principality of Heaven!
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If I show you my wings, would that convince you were not making this up?
[Don't make fun of his husband >:(]
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Mmm, nope.
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[And that's saying something, coming from someone who's been acquainted with Shadwell for some fifty years or so.]
But fine, m'gonna go tell the Principality of Heaven so he doesn't get cross with me. Try not to do anything stupid for thirty seconds.
[It's a small ask, let's see if Archer can manage it while Crowley saunters off to where he left Aziraphale by the car.]
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[... okay, crowley just won out from him, there. archer doesn't seem to realise. he's not really doing anything when the demon returns, other than twiddling some dials on his wrist radio.]
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It doesn't take him long to go lie to Aziraphale about what he's planning, because it's easier to just tell him that Archer's up to some nonsense.
On his return, he has a new cigarette lit up because he has an oral fixation we're not going to talk about. But also because maybe he'll do something Cool like put it out on the projectionist. The fact he thinks about these things makes it Not Cool, but that's not the point.]
C'mon, we don't have all day.
[As if Archer wasn't waiting for him.
This is why they're friends.]
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I don't even have all night. [that's a lie. he has nothing to do and nowhere to go. he hates it. he should get a job instead of being a parasite.] You'll want to take the reel. Look it over for how it was edited, if it wasn't originally recorded.
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[Is that true? Crowley isn't sure, but he thinks it'll annoy Archer, and that's the important part.]
If there's even anything on the reel. I'd not be surprised if it showed whatever the rest of them were seeing.
[Does it count as a hallucination if multiple people see it?]
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Oh, but teleporting doors and carnivorous deer are perfectly reasonable? Y'cant pick and choose what logic you want to apply to this place.
[Even though that's exactly what Archer seems to be doing.]
cw alcoholism and vaguely suicidal ideology
so he'll just... drink. drink and not think about it, the way he usually does. drink like he doesn't give a shit if he wakes up the next day or not.] What do you give a shit how I decide to think about any of this, anyway?
oh buddy
But Yeshua is on his mind. Hard not to be, after watching the torture he'd received for failing to tempt the poor man.
So Crowley just shrugs, aiming for casual, lest Archer make a big deal about it.]
We're mates, aren't we?
[So he like, cares a tiny bit.
Gross.]
local hot mess is a hot mess
news at 11
Oh, sod off. What's wrong with how I dress? [wait.] Try not to be homophobic when you answer.
cw homophobia..............
astounding
You're confusing my wardrobe with that cheap as shit scotch you drink.
predictably the homophobia continues slightly
[once again, archer's continued living baffles science and medicine.]
I'm surprised Avery isn't coming to beat the shitty out of these guys. Isn't defending your husband in the Bible, or something? I've never read it.
Will it ever end? Signs point to no
[Maybe a little, but in his defense he's a serpent who never entirely adjusted to the concept of hips or ball joint sockets. He's doing the best he can.
Which cannot be said for Archer. Crowley wrinkles his nose at him for just - so many reasons.]
Oh, I lied to him about what we were doing. M'not getting him involved in this business.
he's a bad person brent
rated 1/10
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elton i'm so sorry about this tag
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cw internalized homophobia
it never ends
nope!
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